Professoren 2016

Andreas Herrmann

Professor Andreas Herrmann became Artistic Director of the Munich Philharmonic Choir, the partner choir of Munich Philharmonic Orchestra, in 1996, and since then has taken up the baton on behalf of such eminent conductors as Valery Gergiev, Lorin Maazel,


Christian Thielemann, Zubin Mehta, James Levine, Mariss Jansons, Krzysztof Penderecki, Fabio Luisi, Kent Nagano, Ingo Metzmacher, Daniele Gatti, Pablo Heras-Casado, Ton Koopman, Thomas Hengelbrock, Ivan Fischer, Andrew Manze, Marco Armilliato, Kristjan J$auml;rvi and many others.

Part of Prof. Herrmann’s role at the Munich Academy of Music since 1996 has been the teaching of conducting and choral direction, with special emphasis on choral conducting. He directed the Music Academy Choir for ten years, during which time he oversaw the production of many large-scale oratorio concerts and performances of operatic and a-cappella works covering a wide range of musical genres. He took on ambitious projects, which included concert tours in many European countries, TV recordings, world premieres of new music and performances of early music using period instruments. Professional young choirdirectors from all over Europe seek his advice as a teacher with great success.

As a choral and oratorio conductor Herrmann has brought his skills to many other countries, including Austria, France, Italy, Poland, Hungary, Bulgaria, Switzerland and the People’s Republic of China, and the success he has had in working with a multitude of professional choirs (RIAS-Kammerchor Berlin, Bulgarian National Radio Choir Sofia, Silesian Philharmonic Choir Katowice) orchestras and ensembles has ensured a long, happy and productive collaboration with the Munich Philharmonic Orchestra.


Fabio di Casola

‚…His brilliant…unforgettable performance…can think of no higher praise..’ – wrote the ‚Sunday Times’ about his recording by SONY of the Mozart clarinet concerto. And the professional journal for music in Switzerland ‚Musik&Theater’ stated:


‘Undisputed the number one clarinettist in Switzerland…’. So brilliant he takes the flows and fioriturs…’.

In 1990 at the age of 23, Fabio Di Càsola wins the first price of the famous CIEM (Concours international d’exécution musicale) in Geneva – 18 years after the last time a clarinettist has won the first price. Soon after that he was invited to leading international festivals, including the Berlin Festival under Claudio Abbado, the Evian Festival under Mstislav Rostropovich, and Lockenhaus with Gidon Kremer. In the years that followed he also won the Grand Prix Patek Philippe, the Prix Suisse for Contemporary Music, and the International Contemporary Music Competition in Stresa. In 1998 the jury and audience in Geneva voted him the “Swiss Musician of the Year.”

After a performance of Mozart’s clarinet concert at Tonhalle Zurich, SONY decided to publish his recordings. First there were two chamber music CD’s that were followed in 2009 by an orchestral CD with clarinet works of C.M.v.Weber. This CD received the ‚Editor’s Choice’ of the well-respected Gramophone Magazine. Also the next CD with Mozart’s clarinet concert received many good critics. Fabio Di Càsola is performing as soloist with orchestras as the Musikkollegium Winterthur, the Russian National Orchestra, the Prague Chamber Orchestra, Orchestre de la Suisse Romande, Orchestra della Svizzera Italiana, Lucerne Festival Strings, Camerata Zürich and others. He also appears regularly in a very wide range of chamber music ensembles.

He is professor for clarinet and chamber music at the Zurich University of Arts and the artistic director of the chamber music festival „klang“ (, established 2006.



Wim Van Hasselt is a Belgian soloist and chamber musician. Currently based in Switzerland, the artist performs regularly in Europe, North America and Asia. He has been engaged as a soloist with orchestras such as the Amsterdam Sinfonietta, the Sophia Philharmonic and the Budapest Festival Orchestra, and


has performed in such halls as the Recital Hall of the Concertgebouw Amsterdam, the Beethovenhalle Bonn, the Konzerthaus Berlin and the Tokyo Opera City Concert Hall.

For many years Wim Van Hasselt was a member of the trumpet section with the Royal Concertgebouw Orchestra Amsterdam. Prior to this he held the same position with the Radio Symphony Orchestra Berlin, as well as fulfilling guest engagements with the Berlin Philharmonic and the Lucerne Festival Orchestra. He regards this period as a very musically formative time in his career as he was able to work with such renowned conducters as Mariss Jansons, Bernhard Haitink, Valery Gergiev, Gustavo Dudamel, Ivan Fischer, Daniele Gatti, Lorin Maazel, Andris Nelsons, Nikolaus Harnoncourt, Christian Thielemann and Claudio Abbado.

For some time now, Wim Van Hasselt has placed a central focus on his work as a soloist and chamber musician. In 2015 he became a founding member of the international brass quintet ‘Brass United’.

Classical roots, refreshingly contemporary

Wim Van Hasselt has released several albums with the label Channel Classics, for which he has been presented with numerous awards. Grammophone, the leading magazine for classical music, has described him as „an exceptionally fine player with all the equipment in his armoury to delight, surprise and challenge the listener at every turn“. His recordings are characterized by their versatility and inquisitiveness, as well as the connections they build between tradition and modernity. This can be seen, for example, in the many compositions he has had commissioned.

His recordings, made in collaboration with such exceptional artists such as Jörgen van Rijen and  Gustavo Gimeno, as well as the Budapest Festival Orchestra directed by Ivan Fischer, reflect the rich variety of his musical Œvres.

As Professor for trumpet at the University of Music Freiburg he is delighted to pass on his experience and enthusiasm for music.



Genova and Dimitrov is one of the most internationally sought- after piano duos today. Already as a two-months-young ensemble, the today’s ECHO CLASSIC awardees caused a real sensation by winning the Grand Slam of piano duo competitions within only two years, namely the «ARD» (Munich),


«Dranoff» (Miami), Tokyo (Japan) and «Bellini» (Sicily) competitions, a feat that has not been matched to this day.

Since then, Aglika Genova and Liuben Dimitrov have been celebrated by audiences and the press, performing on the most important concert and festival stages in numerous countries on all continents, such as the Library of Congress and the National Gallery in Washington, the Schleswig-Holstein, Rheingau, Ludwigsburg and Schwetzingen Festivals, the City Hall in Cape Town, the Herkulessaal Munich, the Liederhalle Stuttgart, the Gstaad Music Festival, MDR Music Summer, at the Konzerthaus Berlin, the Beethovenhalle Bonn, the Cologne Philharmonic Hall, the Passau European Music Weeks, the Varna Summer Festival, Sofia Music Weeks, and the March Music days Russe, the La Roque d’Antheron and the Al Bustan Music Festival Beirut, Casals Hall Tokyo, Poly Theatre Beijing, and the Teatro Municipal Rio de Janeiro, as well as at the Ravello Festival, the Woodstock Mozart Festival, the Festival Miami and the Chopin Piano Festival Duszniki, just to mention a few.

Upon the invitation of the Olympic Committee, the duo appeared at the opening concerts for the 2002 Winter Games in Salt Lake City, and at the 2010 Volleyball World Championships in Trieste. Their concerts could be enjoyed at the 2000 EXPO in Hanover, at the opening concert of the 2010 Paderewski Piano Competition in Poland, and in 2013 at the musical inauguration of Bacardi’s America Headquarters in Miami. In the same year Genova & Dimitrov appeared at the WDR Cologne Radio Day «1913-2013» and were celebrated on board of the new luxury cruise liner «Europe 2» on the way to Dubai within the framework of its opening season. 2014 they were Artists in Residence and Mentors of the International Festival Sommets Musicaux in Gstaad. In addition, they have appeared in numerous international TV and radio broadcasts. The portrayal TV documentary movie about the Duo «Etude for Two Pianos» which has been produced and broadcasted by the BNT Bulgarian National Television, enjoys worldwide greatest interest.

Under the direction of conductors such as Eiji Oue, Ari Rasilainen, Hannu Lintu, Stefan Blunier, Yuri Bashmet, John Carewe, Emil Tabakov, Ulf Schirmer, Alun Francis, Yordan Kamdzhalov, Robin Gritton, Alexander Kalajdzic, Gabriel Feltz, Alexander Rudin, Andreas Herrmann, and Johannes Schlaefli, Genova & Dimitrov have played worldwide with leading orchestras and choirs, for example in Munich, Los Angeles, Miami, Hamburg, Johannesburg, Durban, Hanover, Bonn, Beijing, Stuttgart, Cape Town, Sofia, Kiev, and Bucharest.

Among the season’s highlights are the release of the new CD with the BNR Bulgarian National Radio Symphony Orchestra and the Genesis Orchestra led by Yordan Kamdzhalov («cpo Records»); numerous recitals and concerts with orchestra in Europe, Asia, America and Africa; studio recordings of the new recital CD project at WDR Radio Cologne; the Master Courses at Cloister Michaelstein (Germany) and at ISA «Allegra» in Russe (Bulgaria).

Aglika Genova and Liuben Dimitrov can look back at an impressive discography – 14 CDs of the duo have been released by «cpo Records» and «Gega New», and given glowing reviews and top ratings by international record magazines and radio stations.

In 2017 the Artists have been awarded the ECHO CLASSIC Prize for their CD «Bela Bartok & Victor Babin – Concertos for Two Pianos» with the Bulgarian National Radio Symphony Orchestra led by Yordan Kamdzhalov («cpo Records»). The same CD has been nominated also for the German Record Critics’ Award. In addition to a number of world premiere recordings, such as Victor Babin’s Concerto, the complete piano duo works of Dmitri Shostakovitch, Johann Christian Bach, Muzio Clementi, and Pantcho Vladigerov, recordings such as «America for Two» (Gershwin, Copland, Bernstein) and «Maurice Ravel – Favourite Flavors» are greatly appreciated worldwide. A particular emphasis in their discography are the recordings with orchestra «Martinu and Schnittke – Concertos for 2 pianos» (NDR Radio Philharmonic/Eiji Oue), «French Concertos – Milhaud, Poulenc, Casadesus» (SWR Radio Orchestra/Alun Francis) and «Mendelssohn – Concertos for Two Pianos No 1 & 2» (Munich Radio Orchestra/Ulf Schirmer). The CD «Arensky – Five Suites for Two Pianos», which the Artists dedicated to the memory of their teacher Vladimir Krainev, was designated by the media worldwide even as «trend-setting». The CD «Franz Liszt – Works for 2 Pianos» was praised by the international press as «A pure celebration of the 2 piano music, a celebration of Liszt’s music». In occasion of the Duo’s 20th birthday anniversary in 2015 «cpo» has released the Special Edition CD «Genova & Dimitrov – 20 Years», which has caused furore among the radios around the world.

Genova and Dimitrov serve regularly as jurors of significant international piano solo and duo competitions, such as the «ARD» Competition in Munich, at the Almaty Piano Competition, the «Franz Schubert» Competition in Russe, and were appointed in 2010 Artistic Directors of the «Dranoff» International Two Piano Competition in Miami.

The artists give master classes worldwide, as e.g. the annual Piano Duo & Solo Academy in Cloister Michaelstein (Germany) in January, as well as the ISA «Allegra» Summer Academy for Piano Solo & Duo, in Russe (Bulgaria). Since 2009, they have been appointed Heads of Piano Duo Studies at the Hanover University of Music, Drama and Media. In 2011 they established the piano duo forum «Twin Pack Piano».

The similarities between them reach far into their past: Aglika Genova and Liuben Dimitrov, both of Bulgarian-Greek descent, both began piano lessons at the age of five, and as 9-year-olds, both had their first public appearances as soloists with orchestra. During their piano solo training at special music high schools for highly talented youngsters, and then at the Sofia Conservatory with Julia and Konstantin Ganev each won multiple prizes at international competitions. Following the personal invitation from their mentor, the legendary pianist Vladimir Krainev, they finished their post-graduate studies in his class at the Hanover University of Music.

«One afternoon, shortly before leaving for a solo piano competition in Seoul, Korea, there was only one available rehearsal room at the Hanover University of Music and it was with two pianos. We spontaneously decided to start to play Chopin’s Etude 25/11 in sync. It was as if we had been given wings. Only few months later we had won our first competition prize as a duo», remember Aglika and Liuben.

Today the Artists live in Hanover, Miami and Sofia.



Prizewinner in international conducting compe­ti­tions, James Lowe is Chief Conductor of the Prussian Chamber Orchestra, Germany and the Vaasa Sinfonia, Finland. His work as Artistic Director of the Hallé Harmony Youth Orchestra was featured in a four-part documentary shown in the UK on Channel 4 in 2010.


A recipient of the Bernard Haitink Fund for Young Talent, Lowe is Principal Conductor of the Edinburgh Contemporary Music Ensemble, Principal Guest Conductor of Music for Everyone, Orchestras Advisor and conductor of the Senior Orchestra of the National Youth Orchestra of Scotland and held the position of Associate Conductor of the Royal Scottish National Orchestra.
Educated at the University of Edinburgh, Lowe continued his development as Benjamin Zander Conducting Fellow with the Boston Philharmonic, and has studied with leading conductors in masterclasses, including Jorma Panula, Neeme Järvi, Bernard Haitink and with Valery Gergiev and the London Symphony Orchestra. He has worked as Assistant Conductor to Haitink in performances with the Concertgebouw Orchestra in Amsterdam.

One of two prizewinners in the Tokyo International Competition for Conductors and special prize winner in the Jorma Panula International Competition, he has appeared in performance with the Osaka and Tokyo Philharmonic Orchestras, the Trondheim Symphony Orchestra, the Moscow Chamber Orchestra, the St. Petersburg Academic Symphony Orchestra, the New Japan Philharmonic, the Indianapolis Symphony Orchestra, the Hallé Orchestra, the BBC Philharmonic, Scottish Ballet, the orchestra of Welsh National Opera, the Royal Liverpool Philharmonic and the Scottish Chamber Orchestra, as well as working with numerous other ensembles in many European countries, South Africa and the USA.



The Swiss conductor and pedagogue Johannes Schlaefli has developed a distinguished name during the relatively short time he has led the Orchestral Conducting Program at the Zürcher Hochschule der Künste (Zurich School of the Arts).


He has succeeded in amalgamating the most important concerns in an ideal and time constructive manner: he is highly regarded for his sharp eye for detail and technical instruction and is equally admired for his knack of allowing space and time for young conductors to develop and for being able to limit himself as coach, to a only a few but psychologically pertinent suggestions. His primary objective is to assist students to strengthen their own “Strong Inner Voice” as developing conductors; and to bring this inner voice more rapidly and effectively into contact with the orchestra. In doing so, he places his own musical interpretation alongside the student, without being artistically imposing.
Johannes Schlaefli worked for many years as a teacher on the “Symphonic Workshops” courses, has been a visiting professor at the Royal Northern College of Music in Manchester, at Rice University in Houston, the University of Sao Paulo and as part of the Deutsche Dirigirentenforum. The center of his teaching activities is the conducting class at the Zürcher Hochschule der Künste. As a conductor, he has directed many orchestras (Tonhalle Zurich, Indianapolis Chamber Orchestra, orchestra della svizzera italiana, Philharmonia Prag, Kammerorchester Basel among many others). He is the Principal Conductor of the Berner Kammerorchester and also directs the orchestral ensembles at the Universität Zürich (University of Zurich).,,
In the courses he utilizes a multifaceted teaching method: often there are discussions (Analysis, Rehearsal Technique, Technical Conducting Details) with the entire group, sometimes detailed video reviews in small groups or individually and of course, where and when required, he demonstrates examples with the orchestra. It is a major concern of his to sharpen the awareness and eye of each student and to create a learning atmosphere within the group, whereby students eagerly learn from one another.



19.07 – 26.07.2019

Andreas von Wangenheim is regarded as one of the most interesting and expressive guitarists of his generation. He received his musical education at the music conservatories of Hamburg and Basel.


In 1987, he won the Bach Prize of the international guitar competition for students in Europe and has since given concerts in most European countries as well as Korea, China, Japan, Canada and the USA. He is a guest of well known festivals such as the Schleswig-Holstein Music Festival, Chamber Music Festival Delft, Rheingau Music Festival, Appollonia Festival Sofia, “Ticino Musica” Switzerland and “Virtuosii Moscow”.

Andreas von Wangenheim recorded his own transcriptions (Arte Nova/BMG) of the six solo cello suites for the “Bach Year 2000” for which he received excellent reviews. Also with Arte Nova, he recorded a CD containing his own transcriptions of Mozart and Haydn Divertimenti.

Andreas von Wangenheim is also active in other artistic areas:
He released several CDs with his own compositions and improviations blending classical, world and jazz elements. The CD “Orlando” (BMG/ RCA) was awarded by the press the title “audiophile CD of the Month”. As composer from film music he won the first prize in the film festival in Dublin in 1991. His guitar performances are included in the soundtracks of in the films “Beyond the Silence” and “Nirgendwo in Afrika”.

Andreas von Wangenheim is Professor for Guitar at Hochschule Luzern (Switzerland).